No sales tax for customers outside California. This beauty traded in at a recent guitar show - and what a show stopper it is!  The figured koa is a visual draw, but the full and balanced tone is also something to behold.  It also plays like a dream with the best action on I've encountered on...

Given the opportunity to hear a truly sophisticated guitar, players experienced a paradigm shift in what they thought possible. This time-tested design ensures large bass response and overall volume. The Pre War design package is presented with understated and elegant appointments to emphasize...

Given the opportunity to hear a truly sophisticated guitar, players experienced a paradigm shift in what they thought possible. This time-tested design ensures large bass response and overall volume. The Pre War design package is presented with understated and elegant appointments to emphasize...

Some SCGC models are designed for specific genres like bluegrass, fingerstyle or rhythm. The F Model’s intent is versatility. Recording, performing and composing with picks or nails on the same instrument is a necessity for many of us. When your repertoire also demands full dynamics from subtle to...

Once again the good folks at Santa Cruz Guitar Company has completely outdone themselves! This OM Custom is loaded with some of the finest woods we've ever laid eyes on. The Fort Ross Chapel Redwood top is incredibly clean, responsive and full of highly dynamic tone. The Brazilian Rosewood back and...

Once again the good folks at Santa Cruz Guitar Company has completely outdone themselves! This OM Custom is loaded with some of the finest woods we've ever laid eyes on. The Fort Ross Chapel Redwood top is incredibly clean, responsive and full of highly dynamic tone. The Brazilian Rosewood back and...

What a pleasure it was to be able to work closely with the artists at Santa Cruz Guitar Company to bring this stunning, one of a kind 000 Custom model to life. Absolutely nothing was spared in the creation of this instrument. Master Grade 1930s Harvested Honduran Mahogany graces its top, back and...

There is something extra sweet about a short scale OM from the amazing builders at Santa Cruz Guitar Company. Take that short scale OM and include some glorious tonewoods, and you REALLY have something special! This wonderful, comfy Orchestra Model is a dream to play, thanks to its supple feel and...

The 2024 Santa Cruz FireFly Style 41—Fort Ross Chapel Redwood & Brazilian Rosewood—is nothing short of a masterpiece, a testament to the Santa Cruz Guitar Company's unparalleled craftsmanship and deep reverence for the rarest and most sonically exquisite tonewoods on the planet. This FireFly, a...

Near mint ( strap button keeps it from mint condition ) custom OM with a German spruce top and lovely Brazilian rosewood back and sides . Grained ivoroid binding , herringbone top trim and abalone rosette . A find and responsive guitar handmade by the small Santa Cruz guitar company .

For 45 years Hibdon Hardwoods has been at the epicenter of exotic tone wood importation. Specializing in Central and South American species, Bill Hibdon and his small team have introduced the instrument making community to many unique and wonderful tone woods. Hibdon is a main tone wood supplier...

This gorgeous little 1929 00 features the full Georgia Peach sunburst, Cowboy Rope Purfling and Rosette, and Adirondack Spruce Braces attached with Hot Hide Glue. A truly wonderful guitar for blues, folk, old time and slide playing.. but it is definitely not shy when it comes to letting that long...

A stunning customized 2021 Santa Cruz OO Model (#1117.) This parlor features a distinct aesthetic with Maple back/sides, an Old Growth Sitka top, "1929" cosmetic appointments, Oriole Bird inlay, and the creme de la creme: A Brazilian Rosewood fingerboard and bridge! Plays great with a medium round...

Beautiful Santa Cruz OM up for grabs here. Sinker Redwood Top Figured Walnut Back & Sides Adirondack braces Featuring hot hide glue construction ---------------------------------------------------------------------------------------------------------- In the 1920’s, the Orchestra...

When I was a kid - I called all acoustics 'Cowboy Guitars'. you know cuz I'm old, and Roy Rogers, John Wayne, etc... Obviously, not all acoustics are cowboy guitars. They are varied, appropriate to myriads of styles and music, etc... But THIS guitar is one heck of a supreme COWBOY GUITAR! And...

Long an honored presence in the Santa Cruz collection, the 1930’s inspired H Model joined our catalog in 1977 during the formative years of the company. This was a challenging era to introduce a non-Dreadnought, non-12-fret guitar. Opting to be favored by natural selection, SCGC presented the now...

Jose Postigo Classical Guitar Guitarras de Artesania Circa: 2002 Scale: 650 mm Top: German Spruce Back & Sides: Cypress Fingerboard: Ebony Neck : Mahagony Hardware: Gold Bridge: Rosewood Made in : Sevilla Barrio de Santa Cruz Very Rare Guitar. A lot of Bang for the buck compares to guitars...

The 1SKB-000 is designed to fit the thinner body of 000 acoustic guitars with full length neck support to cradle various neck designs such as Taylor, Martin, Johnson and Santa Cruz 000 sized guitars. Includes molded-in bumpers to provide valance protection, heavy duty deluxe plush interior and TSA...

Top: Spruce Back & Sides: Cocobolo Fingerboard: Ebony Bridge: Ebony Neck: Mahogany Peghead Veneer: Cocobolo Inlays: Santa Cruz Sigil Nut: Bone Saddle: Bone, Compensated Scale Length: 25" Nut Width: 1 13/16" Portland-based jazz guitarist Eric Skye was named by 20th Century Guitar...

From Santa Cruz; "The OOO is the full sized version of the 1929 Model series. A longer, 25.375-inch scale for additional volume and bass make it a worthy ensemble instrument. You will find the same simple and elegant aesthetics of the 1929-O and 1929-OO versions. The master grade True...

Write-up from Santa Cruz: SCGC’s OM Grand is a bigger, lusher, louder sister to their extremely popular OM model. In comparison, the OM Grand embodies the same elegance, only in increased quantity of volume, projection and bass. More isn’t necessarily better, though in the context of a band’s...

Bill Nershi was in need of a guitar that could keep up with his rigorous touring schedule. He worked closely with Richard and the SCGC luthiers to build a cannon of a dreadnought that could hold its own on the big stage and still maintain the subtleties of solo acoustic work… a powerful instrument...