Presenting the all new Boss SDE-3000D Dual Digital Delay pedal. Released in 1983 at the dawn of the digital effects era, the original Roland SDE-3000 rackmount delay is a hallowed icon among fans of classic gear. With its highly musical character, long delay times, and ability to store and recall presets, this rackmount legend went on to become the prime delay machine for the world’s finest touring guitarists, session musicians, and engineers of the time, and its special sound is still revered forty years later. The SDE-3000D brings you not one but two authentic reproductions of the much-loved SDE-3000 in a floor-based pedal. Fully independent delays, flexible internal routing, and expanded I/O offer modern versatility for all types of mono and stereo rigs. Modulation and tone-shaping capabilities have also been enhanced, and there are 100 memories for storing favorite setups. And with a wealth of onboard and external control options—including deep MIDI support—you can integrate this inspiring vintage voice with any stage or studio setup. Standard Features of the SDE-3000D at a Glance: Faithful floor-based reproduction of the legendary Roland SDE-3000 rackmount digital delay from the 1980s Classic warm digital delay sound with extended features for modern rigs Distinctive retro display and panel controls based on the original SDE-3000 Includes two full-featured delays, each with independent parameters, mono/stereo modulation, and panning Widely adjustable delay time with two range settings: 0–1500 ms and 0–3000 ms Characterful modulation inspired by the original circuit design Phase switches for the primary delay and delay feedback loop Adjustable low-cut and high-cut filters for shaping delay feedback sounds Two inputs and two outputs for dual mono, wet/dry, or stereo setups Selectable series or parallel operation for the two delays Save and recall sounds with 100 memories Assignable onboard footswitch control for tap tempo, hold, and more Jacks for extended operation with up to four footswitches, two expression pedals, or the GA-FC/GA-FC EX foot controller MIDI I/O on space-saving mini TRS jacks Musicians and engineers gravitate toward certain classic effects because they make any sound better, and the SDE-3000 carries that magic touch. Many attributes made it highly expressive with live instruments, including ultra-wide dynamic range, adjustable delay phase, rich modulation, and multiple seconds of clear-yet-warm delay tone. The Original SDE-3000’s voice became an integral part of music in the 1980s and 1990s and remains a source of inspiration for tone seekers and effect builders everywhere. With the new SDE-3000D, you can now access the authentic delay sounds used to produce some of the most iconic tracks of all time, in a compact pedal format. In contrast with the clear, precise tones of other digital delays, the original SDE-3000 stood out from the crowd with its beautiful warm sound and inviting musicality. This was the result of clever and complex internal digital processing coupled with nonlinear behaviors from the supporting analog circuitry. These behaviors included variable frequency response in the preamp based on input gain, magnetic saturation in the anti-alias filter, and evolving modulation produced by the components of the time. The team at Roland deeply analyzed these many factors in creating the SDE-3000D, bringing the complete character of this time-honored classic alive for the modern era. The new SDE-3000D includes nearly every parameter from the original SDE-3000, accessed via a retro interface derived from the vintage hardware. Two selectable delay ranges offer different frequency characteristics, vital elements in the original’s appealing sound. The unique tonal color of the SDE-3000’s external feedback loop circuit has been replicated as well, and it’s possible to turn this coloration off or internally process the feedback loop with a powerful EQ. You also get 100 memory locations—up from the original’s eight—plus carryover when switching sounds. The modulation circuit in the SDE-3000 also contributes to the effect’s distinctive sound. Along with basic depth and rate controls, it’s possible to independently switch the phase of the initial delay and the delay feedback loop, which influences the way the modulation reacts. The original analog LFO behavior has been faithfully reproduced in the SDE-3000D, and there’s now a sine wave option in addition to the original triangle wave. Roland has also provided even more control over the delay phase settings for a broader range of sounds. While the original SDE-3000 was mono, the new SDE-3000D pedal gives you two discrete delays with independent parameters and mono or stereo modulation on each. Run the delays in parallel and pan them for ever-evolving stereo colors. Or chain them in series to create complex rhythms and reverb-like depth. And with the flexible audio I/O, you can route the effects for wide stereo operation, send each delay to its own output, or split effect and unprocessed sounds for wet/dry setups. With its pedal-based design and expanded control options, the SDE-3000D offers much greater versatility than its rackmount inspiration. Three onboard footswitches provide instant control of memory selection, tap tempo, delay hold, momentary effect engagement, and more. Two control jacks allow you to connect up to four footswitches, two expression pedals, or a Boss GA-FC/GA-FC EX for external operation, and TRS MIDI Inputs and Outputs are also included. There’s a large selection of assignable targets to choose from, delivering deep real-time control that reaches far beyond the capabilities of the original SDE-3000. Sampling Frequency: 48 kHzAD Conversion: 24 bits + AF method. AF method (Adaptive Focus method) is a proprietary method from Roland & BOSS that vastly improves the signal-to-noise (SN) ratio of the AD and DA converters. DA Conversion: 32 bits Processing: 32-bit floating point Effects: SDE-3000 STEREO DELAY x2 FOOT VOLUME Memory locations: 100 Nominal Input Level: INPUT (L/MONO, R): -10 dBu Maximum Input Level: INPUT (L/MONO, R): +12 dBu Input Impedance: INPUT (L/MONO, R): 1 M ohm Nominal Output Level: OUTPUT (L/MONO, R): -10 dBu Output Impedance: OUTPUT (L/MONO, R): 1 k ohm Recommended Load Impedance: OUTPUT (L/MONO, R): 10 k ohms or greater Controls TIME button, FEEDBACK button, OUT button, RATE button, DEPTH button, 1--4 buttons, BANK A button, BANK B button, LEFT button, RIGHT button, FILTER button, TIME×2 button, DELAY PHASE button, MOD button, FEEDBACK PHASE button, DIGITAL DELAY 1 button, DIGITAL DELAY 2 button, SETUP button, DDL1 switch, DDL2 switch, TAP/CTL1 switch Display: 7 segments, 12 digits LED Connectors: INPUT (L/MONO, R) jack, OUTPUT (L/MONO, R) jacks: 1/4-inch phone type CTL2,3/EXP1 jack, CTL4,5/EXP2/GA-FC jack: 1/4-inch TRS phone type MIDI (IN, OUT) jacks: Stereo miniature phone type USB port: USB Type-C(R) DC IN jack Power Supply: AC adaptor Current Draw: 450 mA Accessories AC adaptor (PSB-1U + AC Cord Set) STARTUP GUIDE Leaflet "USING THE UNIT SAFELY" Rubber foot x 4 Options (sold separately) Footswitch: FS-5U, FS-5L Dual footswitch: FS-6, FS-7 Expression Pedal: Roland EV-5, EV-30, FV-500L, FV-500H Foot Controller :GA-FC, GA-FC EX MIDI/TRS connecting cable: BMIDI-5-35, BMIDI-1-35, BMIDI-2-35, BCC-1-3535, BCC-2-3535 SIZE AND WEIGHT Width: 199 mm (7-7/8 inches) Depth: 135 mm (5-3/8 inches) Height (including rubber foot): 54 mm (2-1/8 inches) Weight: 1.1 kg (2 lb 7 oz) * 0 dBu = 0.775 Vrms *The specifications are subject to change without notice
We accept all major credit cards (orders must ship to the billing address of the cardholder or authorized ship-to address for their account), PayPal (shipped to a PayPal confirmed delivery address), Financing through Blispay, Wire Transfer in advance in US Funds, or COD (Cashier's Check only).
We ship most any order placed before 3pm CDT Tuesday through Friday the same day. Orders placed Saturday-Monday will ship the following Tuesday. For new products we will only ship to delivery addresses within the United States. Most pedals are shipped via Priority Mail. Guitars and Amplifiers are shipped via UPS Ground. Other shipping methods are available. Please contact prior to placing your order for shipping cost quotations to your delivery address.
The Guitar Sanctuary does accept returned items as long as arrangements are made for such within 48 hours of purchase/receipt. Returned items MUST be in the original condition and packing (including owner’s manual, un-used warranty card, any other items that came with the item) in order to qualify for a refund. No refunds are available for “special” ordered guitars or amplifiers (items that were not in stock, but rather ordered per the customers request. The customer is responsible for all freight charges and credit card processing fees incurred in the course of the sale. We cannot refund freight charges. The Guitar Sanctuary will charge a 20% restocking fee for returned effects pedals and amplifiers and a 10% restocking fee for Guitars. The only exceptions are for products that are defective. Please only purchase an item after you are certain it is right for you! Layaway: You can lay-a-way any product for a maximum of three months. Lay-a-way requires a 25% non-refundable deposit. We will not be able to ship the item until it is paid for in full and as a lay-a-way purchase, does not qualify for the 48 hour approval policy. International Sales: We can ship most guitars and other products internationally. We prefer money orders, cashier’s checks, or bank wire transfers in U.S. dollars. Shipping quotes are only valid for 48 hours. Please consult with your local officials about taxes, duties, currency exchange rates, etc.