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Description
No sales tax for customers outside California This Martin 0-18T is one of 333 made in 1930, the second year of production of the model. It is a historically important piece that led to a major change across the Martin line, ushering in their Golden Era. Tenor guitars were becoming very popular amongst banjo players at the time, and they were requesting changes to dealers that would allow better access to the upper frets, as players were accustomed to on their tenor banjos. These requests were quickly communicated to Martin as the tenor guitar trend was driving sales. Greig Hutton's book, "Hutton's Guide to Martin Guitars (1833-1969)", provides a great amount of detail on this subject, with excerpt from letters to and from Martin by several dealers. One dealer's letter calls out a Gibson tenor guitar that was the first to offer the upper fret access the players wanted. It read, "It has been brought to our attention that quite a number of banjoists to whom we have sold Martin Tenor Guitars are trading them in on the new Gibson Tenor Guitar which has the neck made the same as on modern long scale tenor banjos and also has a larger body which tends to give the instrument a bigger tone. We know that you would not want to see the Gibson people get the business on the tenor guitar and we are sure that you can make these instruments with the new long scale fingerboard and with a longer neck without the extension over the top. We have seen the Gibson and upon comparison with the Martin there is no question that the Martin is superior in every way except the neck and fingerboard." (Either I use way too many commas, or these guys too few!) This and the other dealer inquiries described by Hutton prompted Martin to very rapidly accelerate experimentation with a 23" scale neck with 14 frets clear of the body. As Hutton states, Martin was generally conservative when it came to change. I know that this largely held true even into the 90s and early 2000s when I was a Martin dealer - my product rep once referred to change at Martin as "Glacial"! The first attempt was not well received. The body shape, location of the soundhole, and the neck shape weren't quite right. You'll have to get Greig's book if you want to get the dirty details of the back and forth with dealers. It actually is quite interesting if you're into this kind of thing. The second prototype, 14-fret tenor guitar was shipped on May 28, 1929. This design, requested by the Carl Fisher Stores, was the first successful Martin guitar with 14 frets clear of the body rather than the standard 12 fret neck of the time. The first run of the 0-18T was dubbed the Carl Fisher model by Martin. The shape of this model was distinct. The upper bout was narrower than later 0-18T models. The Carl Fisher Model ceased its appearance in Martin sales records in March 1930. The 0-18T body changed to the shape you see on this example from late in 1930, and it remained as such indefinitely. Earlier 1930 models bore the straight bridge, and in 1931 the "belly bridge" was introduced. This late-1930 serial numbered piece is likely one of the first with the belly bridge. As alluded to above, the advent of this very model led to the design of the OM, or Orchestra Model just a few months later and the subsequent Martin guitar designs changed to those legendary "Pre-War" holy grails that changed the guitar world and are still driving guitar design to the present day. Now to the guitar itself! This piece is in amazing condition, especially considering that it is nearing its 100th birthday. Everything about it is original. There are no changes or repairs whatsoever. The original case is included as well. The instrument does need a neck reset, but the original frets are totally useable. While a tenor guitar isn't for everyone, this is one special instrument! • Color: Natural • Weight: 2lbs 5.4oz • Top: Sitka Spruce • Body: Mahogany • Neck: Mahogany • Fretboard: Ebony • Inlays: Mother of Pearl Dot • Frets: Original • Fret count: 20 • Nut: Ebony • Nut width: 1-1/4 • Scale: 23" • Radius: Flat • Neck thickness at 1st Fret: .82" • Neck thickness at 10th Fret: .98" • Action 1st String at 12th Fret: 3/32" / 2.5mm • Action 4th String at 12th Fret: 4/32" / 3.25mm • Total length: 35-1/2" • Body length: 17" • Lower bout: 13-1/2" • Waist: 8-5/8" • Upper bout: 9-3/4" • Body depth/thickness: 4" • Pickguard: Original Tortoise Shell • Bridge: Ebony • Tuners: Original Banjo Style • Case: OHSC • Notes: Shipping policy: There are two shipping cost options for purchases made on our site for these states and those to the east of them: Montana, South Dakota, Nebraska, Kansas, Oklahoma, Texas.  Select Standard shipping at checkout and your item will be shipped via UPS three-day-air.  Select Economy shipping and your item will ship via UPS ground.  For Reverb purchases, there is one cost option for these Eastern states and shipment will be made by UPS three-day-air.  Shipments will require signature on delivery, no exceptions.  If there is damage, the buyer must retain all packing materials intact and picture them immediately and send them to sales@maharsvintageguitars.com.  Less than 1% of our shipments are damaged in transit, and we are committed to making sure your item arrives safely, but we are taking these additional measures to make sure you are happy with your purchase.
Mahar's Vintage Guitars

Mahar's Vintage Guitars

1930
Martin
Excellent
Natural
Original Soft
$4,399.99
Mahar's Vintage Guitars
Chuck Mahar
530-570-1525
Online Only
2:12 AM
Monday through Friday, 9am-4pm. Usually available always, sometimes not so much, even at other times on other days.

Buyer to pay prior to shipment via Paypal, wire transfer, credit card or other electronic means. Payment must clear before shipping. Certified checks and trades are accepted, however checks must clear before we will ship and trades must be received here and evaluated prior to shipment of our item.

All orders ship within three business days of the receipt of an order, usually faster. Tracking information will be automatically forwarded to all buyers. Buyers must retain all shipping materials in the event a return is necessary.

Returns accepted if the purchaser responds within 48 hours of receipt of an item and there is a discrepancy relating to the condition or originality of an item. Returns are not accepted for items that do not meet the needs or sonic tastes of clients due to the subjective nature, unless such concern is stated prior to the purchase. Any return for reasons other than incorrect advertising of condition or originality on the part of Mahar's Vintage Guitars shall be the responsibility of the buyer, which shall result in the buyer paying all shipping costs (to and from) their location.