Description

The Atlas Compressor offers a comprehensive collection of compression circuits that perfectly capture the tone and feel of the industry's most sought-after compressors. Straight out of the box, Atlas delivers six different styles of compression, based on classic stompbox compressors as well as high-end rack units like the snappy 1176 compressor and the smooth and gentle LA2A optical compressor. Atlas also features advanced dual-band compression, which provides an independent set of controls for both the high and low frequencies. Each compression engine has onboard controls for Threshold, Ratio, Attack, Release, Output, Tone, and Blend, allowing for fine-tuned control over the compact One Series hardware.

A History Lesson in Compression

The Atlas is packed with so many different types of compression that it could serve as a tour guide through the history of compressor equipment. First stop: classic stompbox squashers such as the legendary the Dan Armstrong Orange Squeezer and the ever-present Dyna Comp. Next stop: universal and ubiquitous studio rack gear like the smooth and gentle LA2A optical compressor and the ultra-responsive 1176 FET compressor. Finally, Source Audio is taking you to all-out nerd territory with Peak, RMS, VCA, and Dual compression, and an onboard Expander circuit… the Atlas has it all and does it well.


OPTICAL RACK

The Optical Rack compressor engine is based on the legendary LA2A studio opto compressors from the early 60s. Optical compression controls its output level with light. Increasing the incoming audio level in the original units caused an electro luminescent panel to shine brighter. A photo resistor monitors that light panel and decreased the audio output level, as the panel got brighter. The result is a very smooth and gentle attack that imparts a full-bodied and natural sound on guitar, bass, or vocal. This compressor sounds great with clean strummed or arpeggiated guitar lines as well as acoustic guitars.


STUDIO 76

The Studio 76 compressor is based on the 1176 studio rack compressors of the late 60s and early 70s. This solid state FET compressor is known for its full body and super-fast attack. All of the attack times in 1176 compressors clock in at less than a millisecond. Studio 76 is a great compressor for fast and aggressive country pickin' (think Johnny Hiland), slap bass, slide guitar and much more.


CUBIC ZIRCONIA

The Cubic Zirconia was inspired by opto compressors that use an LED in place of the LA2A's electro luminescent panel. Using an LED as an optical compressor's light source creates faster attack and release times, which generate artifacts that tend to make the compression sound a bit dirtier. This is a great compressor for playing tight and funky riffs on the guitar.


STUDIO SNAP

A very aggressive and modern sounding compressor. It's based on hard-knee, VCA feed forward type compressor. It uses two compressors in parallel to handle both RMS level controls (“Root Mean Square” compression means that the compressor will react according to the “average loudness”) AND the peaks. The combination of these two compression approaches gives STUDIO SNAP its character.


DUAL BAND

The Atlas has two independent compressors that can be routed in a number of different ways. They can run in Series Mode (one running into another). They can also run in Parallel Mode and be mixed together with a Crossfade control. The Dual Band compressor runs in Band Split Mode, which is a version of parallel routing where one compressor controls only the higher frequencies (everything above 333Hz) and the other controls the lower frequencies (everything below 333Hz). With the Dual Band Compressor the high frequencies release faster than the lower frequencies, so as you sustain a chord the low frequencies remain compressed while the second compressor releases the high frequencies. The result is a beautiful blooming effect that accentuates high harmonics. This is a great compressor for slow ringing chords or lead lines with long sustained notes.


Elite engineering cannot be rushed...

"Offering up a deep library of compression options in a pedal is a landmark technical achievement. Source Audio started working on compression in 2007. At the time they developed some straightforward, high-end studio stuff that made it into the original Multiwave a year later. The research project to branch out and cover more simple classic pedal sounds and create a dedicated compression pedal was delayed, because the intricacies of how transistors behave in compression circuits was especially elusive. After ten years of additional research, new thinking, and more experience, Source Audio is finally ready to launch a landmark pedal: The Atlas Compressor. From classic rack studio units, to classic pedals of many flavors, and even to the experience of high-end computer plug-ins, Atlas covers all the bases with attention to detail that is the hallmark of Source Audio's development team. Bob Chidlaw, Jesse Remignanti, and Christopher Venter worked long and hard on this one and I'm excited to finally share it with the rest of the world."

- Roger Smith (Source Audio President)


Bass Optimization Mode

Source Audio have made it easy to transform the Atlas into a bass guitar specific compression machine. With the push of a button, you can convert all six of Atlas' onboard factory presets into low-end responsive compression engines, precisely optimized for the complexities of the bass guitar. The dynamic range and attack characteristics are much different for bass than guitar. Typically, to achieve a smooth compressed bass tone, the attack and release ranges for compressors such as the 1176 FET compressor and LED optical compressors need to be dialed-in accordingly. Likewise, in dual compression modes, the cutoff frequency that separates the lower band from the higher band needs adjustments to accommodate the specific frequency range of bass guitar. It is all part of Source Audio's mission to make the Atlas Compressor the most flexible and easy-to-use compression workstation on the planet.


Detailed Effects Editing with Neuro

Detailed Effects Editing with Neuro

On the surface, the Atlas features a simple 4-knob interface and a choice of six amazing compressors. However, if you want to take things to take things a bit further, Source Audio urges that you connect the Atlas to Source Audio's Neuro Preset Editing & Browsing tools. The Neuro Mobile App is available for free at the App Store (iOS) and Google Play (Android). The Neuro Desktop Editor is available as a free download for Mac or Windows systems on Source Audio's Downloads page. Plug in to Neuro and experience compressor editing as it's done in studios and DAW software, with real-time readouts of your signal's gain reduction. Fine tune your compression with features simply not found in other effects pedals, controls like Look Ahead compression, Soft Knee control, optional Auto Makeup Gain, Dual Compression signal routing, 8-Band Graphic Equalization, Parametric Equalization, flexible Knob Assignment, and Side Chain High and Low Pass Signal Detection controls. And of course, the Neuro Editor is loaded with easy-to-download Factory Presets and an ever-growing library of Published User Presets created by the Atlas Neuro Community.

Now with two-way communication when you use a USB cable to connect your phone with the USB port on your Atlas Compressor!

FEATURES


Pedal Features

  • 6 Types of Compression: The Atlas offers many different styles of compression with sounds inspired by studio rack gear and classic effects pedals.
  • LA2A Optical Compression: A faithful recreation of an electro luminescent panel combined with a photo resistor and the resulting warm and smooth compression that has been the standard in studios since the 1950s.
  • 1176 Feedback FET Compression: Based on the solid state FET compressor known for its full body and super-fast attack.
  • LED Optical Compressor: Inspired by pedals that work on a similar concept as the LA2A, but swap the electro luminescent panel for an LED and a quicker, dirtier response.
  • Dual Compressors: Use Atlas' dual compressors in a variety of ways: in Series, Parallel, or Band Split mode, which provides a separate set of controls for both high and low frequencies.
  • Studio Level Compression Controls: Access all the essential compression parameters including Feedback, Ratio, Attack, Release, Makeup Gain, Mix, and Tone, either with the pedal's knobs or the Neuro Editor.
  • Special Bass Mode: With the push of a button, quickly convert Atlas to a special Bass Mode with compressor engines specifically optimized for bass.
  • Auto Makeup Gain: Dial in sounds quickly. Atlas automatically increases or decreases the Makeup Gain depending on the amount of compression.

Neuro Editor Features

Connect the Atlas Compressor to the Neuro Desktop Editor (a free download for Mac or Windows computers) or the Neuro Mobile App (free for iPhone and Android) and explore the power of effect downloading, customization, and sharing that comes with every One Series pedal.

  • Growing Library of Published Presets: Quickly test and download sounds from the ever-expanding collection of published User Presets created by Source Audio and the rest of the Atlas Compressor/Neuro Editor Community.
  • Deep Effects Editing Capabilities: Use the Neuro Desktop Editor (free download for Mac and Windows) or the Neuro Mobile App (free for iOS and Android) to create, store, and share highly customized filter effects.
  • Dual Compressor: Use Atlas' dual compressors in a variety of ways: in Series, Parallel, or Band Split mode, which provides a separate set of controls for both high and low frequencies.
  • Dan Armstrong Orange Squeezer: A gritty compression inspired by the vintage 1970s unit that graced classic tracks like Steely Dan's “Peg” and Dire Straits' “Sultans of Swing.” Available in the Neuro Editor.
  • Look Ahead Compression: A classic studio trick. When engaged, Look Ahead creates an imperceptible latency in the signal that “looks into the future” and allows for an extra quick and smooth attack that without any additional distortion or artifacts.
  • Soft Knee: Adjusts the transition curve of the Threshold point. A sharper knee creates a snappy compression and a soft knee creates a more natural sounding compression.
  • Side Chain Compression: Use the signal going to Input 2 to trigger the compression applied to the signal going into Input 1.
  • Advanced Equalization: Use the 3-band parametric or 8-band graphic equalizers to tweak the tonal characteristics of your compression.
  • USB Connection: Use the pedal's mini USB port to connect Atlas to the Neuro Desktop Editor, which can be used to edit presets or download the latest pedal firmware.
  • USB to Mobile App Connectivity: Connect the Mobile App to your Atlas Compressor via the USB port on the top of the pedal and enjoy two-way communication between the pedal and your Neuro Mobile App. This means you can see all of your Atlas preset settings on the App. in real time. (Lightening to mini Type B USB cable for iPhone) (Type-C to mini Type B USB cable for Android).

MIDI Features

The Atlas Compressor responds to MIDI Program Change (PC) and Continuous Controller (CC) messages via its mini USB port. The USB port handles communication between the Atlas and digital audio workstations (DAW) on Mac and Windows machines as well as external MIDI controllers with USB host support (Source Audio recommends the DMC.micro from Disaster Area Designs)

  • Preset Saving: Save up to 128 effect presets.
  • MIDI Mapping: Use the Neuro Desktop Editor to easily map MIDI Continuous Controller (CC) messages to a comprehensive list of parameters.
  • Preset Recall: Use MIDI CC numbers 103(Bypassed) & 104(Engaged) with a CC value of the given preset slot to recall any of the Atlas's 128 MIDI accessible presets.
  • "Preset Increment" and "Preset Decrement" are two parameters that can be mapped to any unassigned MIDI CC# using the Device MIDI Map in the Neuro Desktop Editor.
  • The Neuro Hub: Connect the Atlas to the Neuro Hub and use MIDI CC messages to control parameters or recall presets. Additionally, the Atlas can be added to Hub Scenes, is visible through the Hub, and can be controlled by PC messages, giving you the full access to 128 preset slots. Visit the Neuro Hub page for more info.
  • One Series MIDI Adapter: Connect the MIDI Adapter to the SENSOR INPUT with MIDI PC and CC messages. Visit the One Series MIDI Adapter page for more info.

SPECIFICATIONS


  • Includes 9v DC power supply (300mA / Negative Tip)
  • Includes 1/8” to 1/4” cable for Neuro Mobile App connection.
  • Power Consumption — 165mA
  • USB port — Connects to Mac or Windows PC for firmware updates and the forthcoming in-depth effects editing software.
  • Brushed anodized aluminum housing.
  • Dimensions: L: 4.5 in./11.4cm x W: 2.75 in./7cm x H: 2 in./5.1cm (including knobs)
Bananas At Large Inc

Bananas At Large Inc

Call
Source Audio
Brand New
9 Years
$229.99
Bananas At Large Inc
Bananas at Large
415-457-7600
San Rafael, CA
8:44 PM
Monday - Saturday (11:00am - 6pm PST) Sunday (11am - 3pm PST)

We accept major credit and debit cards - Visa, MasterCard, Discover, and American Express. We also accept Paypal. Please contact us for Western Union. Orders must be approved by our authorization process. This includes validation of the shipping address with the issuing bank.

About Shipping and Delivery We utilize legitimate bonded and licensed shipping carriers only (UPS, Fed Ex, USPS etc). We are not the shipping company and therefore cannot be held responsible for faults that lay with the shipping company. By placing orders with us you agree to be present to receive packages sent to you. Bananas cannot be held responsible for lost packages once they are logged as delivered by the shipping company. Once a package is logged as delivered by the shipping company the customer is responsible for any issues related to the delivery of the package at that point. Packaging and Shipping Information Due to conditions beyond our control (weather, shipper's handling etc.) some boxes that products originally come in cannot be re-used to ship out to customers. In those rare cases we will remove and inspect all items and repackage them in acceptable boxing to make it safe to you. All items are still considered brand new, under full warranty and fall under our same guarantees. Note: Bananas recycles unused boxes when possible.

Online Returns: In order to return a product, Request a Return Authorization Number (RA Number). To request a Return Authorization Number (RA Number), please email info@bananas.com with your full name, order number, item that you are returning, and what type of return you would like us to process - either exchange for the same item, exchange for another item, or return for refund. In addition, if you can include the reason for your return, and any other comments, that would be appreciated. Once we process your RA request, we will send you a Return Authorization Number, and instructions on how to return the item. Return and Customer Satisfaction Policy: Any item (other than as noted below) purchased from Bananas at Large online store may be returned, within 45 days of the shipment date, for a full refund of the purchase price minus shipping costs, or for exchange or credit. Rather than make you click elsewhere for the 'small print', here it is in not-so-small print: The following items may not be returned: Consumable items such as (but not limited to) strings, picks, drum sticks, drum heads, phono cartridges and replacement speakers. Any item that is worn on the body or is blown into, such as (but not limited to) earplugs, wind controllers or harmonicas Computer software, items that can be copied and copyrighted material such as (but not limited to) books, videos and CD's Installed items such as (but not limited to) guitar pickups, drum heads, headphone parts and other installed parts If you agree to back order or special order a product, you agree that order may not be canceled unless approved by Bananas. Special orders already in transit either from manufacturer or Bananas cannot be canceled. Special order items may be returned if defective for exchange. You will be notified what items qualify as special order status. *In-store sales, please see posted Return Policies Other Things You Need to Know about Online Returns Shipping and/or handling charges are not refundable. It is your responsibility to pay return shipping and to fully insure the unit(s) you are returning. Also, it is your responsibility to cover shipping charges for sending the item to you. If you are quoted free shipping and return the item, you will be required to cover the actual shipping costs incurred by your order. Items that are returned must be in the original packaging, with all accessories and paperwork included in the original shipment, such as owner's manual(s) and warranty card. Items must be free from signs of use or wear, and both warranty card and manual(s) must not have any writing in them. If your order was shipped to you in outer packaging it must be returned in that packaging as well as the inner box or boxes. Returned items that do not arrive in the condition described above are subject to a $25 repackaging charge, plus the cost of replacing missing, soiled, worn or marked-on items. Obvious signs of use that reduce the value of a returned unit will be subject to additional charges based on how much we need to mark down the unit to make it sellable.