2020 Taylor 714ce Acoustic Electric Cutaway Guitar Natural

Offered for sale:

Used 2020 Taylor 714ce Acoustic Electric Cutaway Guitar serial number 1206020049.

This guitar is in excellent condition showing very limited playing time.

714ce

With its solid Indian rosewood back and sides, torrified Sitka spruce top and distinctive appointments, the Grand Auditorium 714ce offers a striking take on an all-time-great tonewood pairing that musicians love for its warmth, clarity and friendliness with other instruments. The Sitza top adds a bit more headroom for dynamic players and hard hitters, while the V-Class bracing inside dials up the response with louder volume and longer sustain. Aesthetic details include koa binding, a three-ring rosette with a herringbone design in Douglas fir and maple, abalone Reflections inlays for the peghead and fretboard, and a weathered brown rosewood pickguard. The 714ce ships with ES2 electronics and a hardshell case.

Grand Auditorium

Our most popular and versatile body shape, the mid-size Grand Auditorium arrived in 1994 bearing refined proportions that fell between a Dreadnought and Grand Concert. While the bigger Dreadnought was traditionally considered a flatpicker’s guitar and the smaller Grand Concert catered to fingerstylists, the GA was designed to deliver on both fronts. The shape produced an original acoustic voice that was big enough to handle medium-strength picking and strumming, yet with impressive balance across the tonal spectrum, especially in the midrange, producing clear, well-defined notes that suited both strumming and fingerstyle playing. The GA’s overall presence tracks well with other instruments both in a studio mix and on stage, and singer-songwriters have embraced its utility both for composing and traveling with one guitar. Many people want a single guitar that can cover a variety of styles, which is why the GA continues to be our bestselling shape. If you want a great all-purpose guitar, the multi-dimensional GA won’t let you down.

Indian Rosewood

Overview: Indian rosewood’s sweeping frequency range at both ends of the tonal spectrum has made it one of the most popular and musically rich tonewoods. Its deep lows can assert a throaty growl, while bright, sparkling treble notes ring out with bell-like, high-fidelity clarity.

Origin: India

Sound: One of the most popular and traditional guitar woods of all time, rosewood takes the basic sonic thumbprint of mahogany (which has a strong midrange) and expands it in both directions. Rosewood sounds deeper in the low end and brighter on the top end (one might describe the treble notes as zesty, sparkly or sizzly, with more articulation). If you look at its frequency range visually, rosewood would appear to be more scooped in the middle, yielding less midrange bloom than mahogany. Like mahogany, rosewood’s vintage heritage has helped firmly establish its acoustic legacy. It’s a great sound in part because we know that sound. In some music circles in which preserving the traditional sound helps bring a sense of authenticity to the music — certain strains of Americana, for example — rosewood has an iconic status. Also like mahogany, rosewood is a versatile tonewood, which has contributed to its popularity. One can fingerpick it, strum it and flatpick it. It’s very consistent, so players can usually rely on it to deliver.

Goes Well With: Most applications. If you like a guitar with fuller low end and brighter treble (bluegrassers, for instance), rosewood will do the trick. Its high-end sizzle and clear articulation will benefit players with “dark hands”. If you’re looking for a traditional acoustic sound, a rosewood Dreadnought or Grand Auditorium is right up your alley.

Sitka Spruce

Overview: As a guitar soundboard, or top, Sitka spruce is the tonewood standard of the modern era. It’s used on 85-90 percent of the guitars that Taylor makes. Its combination of strength and elasticity translates into a broad dynamic range, yielding crisp articulation and allowing for everything from aggressive strumming and flatpicking to fingerpicking. Sitka spruce is Bob Taylor’s personal favorite for an all-around great guitar.

Origin: Canada

Goes Well With: All styles of guitars and players.

Expression System 2

The Expression System 2 captures more of a guitar’s dynamic properties using a breakthrough behind-the-saddle design.

The Taylor Expression System 2 (ES2) is a revolutionary pickup design that delivers the latest in Taylor’s ongoing innovation in acoustic guitar amplification. The heart of the Expression System 2 is Taylor’s patented behind-the-saddle pickup, which features three uniquely positioned and individually calibrated pickup sensors. The location of the sensors enables a more dynamic range of acoustic sound to be captured than ever before. Together with Taylor’s custom-designed “professional audio”-grade preamp, this system produces exceptional amplified tone and responsiveness. On stage through a PA, plugged into your favorite acoustic amplifier, or direct into recording software, the Expression System 2 faithfully conveys the voice of your Taylor guitar.

Behind the ES2 Design: Rethinking the Piezo Pickup

For decades, piezo-electric transducers have been positioned under the saddle of a guitar based on the long-held belief that the string and top vibration cause the saddle to “bounce” up and down. But Taylor’s electronics team, led by developer David Hosler, discovered that the vertical movement is actually heavily restricted, and that the saddle gets “locked down” due to the string tension’s downward pressure. That’s why a traditional under-saddle pickup with piezo-electric crystals often responds with a sound often characterized as thin, brittle, brash or synthetic, especially with more aggressive playing.

The saddle’s natural range of movement as the guitar is being played is actually back and forth like a pendulum. That revelation led Taylor’s design team to relocate the crystals from under the saddle to behind it. The new positioning enables the crystals to respond more naturally to the guitar’s energy as it is transferred through the saddle. Three pickup sensors are installed behind the saddle, through the bridge, with three tiny Allen screws that calibrate the position of the sensors in relation to the saddle.

Like the original Expression System, the ES2 features the same volume and tone control knobs. This makes it plug-and-play friendly both for artists and live sound mixers.

V-Class Bracing

Our patented V-Class bracing is a revolutionary new pattern — a new sonic engine — that marks a major shift away from traditional steel-string bracing patterns. By allowing the soundboard to flex naturally while maintaining rigidity along the center (in the direction of the strings), V-Class helps enhance the volume and sustain. It also creates a more orderly response from the soundboard. Up and down the fretboard, notes are full, true and consistent, with more harmonic agreement. It represents an entirely new design platform that can be adapted to different body styles in different ways to infuse each with a unique sonic personality.

Original hard-shell case included.

“We carefully inspect every instrument when we buy it and bring it up to our standards before we offer it for sale. We also do a full set up before we ship. If you decide to purchase this guitar, please let us know what gauge strings you prefer.”

Highlights

Scale Length 25-1/2"
Bracing V-Class Bracing
Pickguard Weathered Brown
Tuners Taylor Nickel
Body Width 16"
Nut & Saddle Black Graphite, Micarta saddle
Truss Rod Cover Black Plastic
Number of Frets 20
Case Taylor Deluxe Hardshell
Body Length 20"
Body Depth 4 5/8"
GUITAR SPECS:

Body

Binding Edge Treatment: Non-Figured Koa

Back Config: 2-piece No Wedge

Rosette Size: 2016 3-Ring

Back/Side Finish: Gloss

Top Finish: Gloss

Rosette Material: Douglas Fir Herringbone

Neck

Neck Width: 1-3/4"

Fretboard Binding/Edge Treatment: West African Crelicam Ebony

Type of Neck Joint: Taylor Neck

Fretboard Wood: West African Crelicam Ebony

Heel Length: 3-1/2"

Fretboard Inlay: Reflections

Heel Cap Binding: West African Crelicam Ebony

Neck/Heel: Tropical Mahogany

Neck Finish: Satin

Peghead

Peghead Finish: Gloss

Peghead Type: Standard

Headstock Overlay: West African Crelicam Ebony

Peghead Logo: Taylor Mother of Pearl

Peghead Inlay: Reflections

*Please note: we do our best giving descriptions of used pieces. We have found it impossible to describe every mark on an instrument or amp that is not in the "mint" category. Also, what's important to you may not be important to someone else. For example, you may say, "I don't care what it looks like as long as it plays or sounds well." Another person may say, "Body cosmetics are very important to me so tell me about every scratch, nick and blemish." So, please ask the questions that are most important to you. If you ask they will be answered. They are free and there's no limit. Additional photos can also be made available.

This is a specific item that is also being offered for sale in our brick & mortar location. It is possible that it has just been sold. Please ask if it is still available before purchasing.

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