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Description

Condition: Damaged packaging. Minor blemishes on the pedal.


NEW output buffer (when pedal is turned on) which eliminates it from being influenced be effects that came after it. Translation, your sound remains consistent regardless of placement in today’s more complex signal-chains, loopers, and pedalboards. This buffer also had a positive effect on the sound, it reduced loading on the pedal’s hard-clipping stage, allowing more sustain of both the sound and the overtones.

NEW Class A configured discrete 2N5457 JFET input section, raising the input impedance from the previous 330K to 1 mega ohms and increasing the dynamics…resulting in significantly better interaction with both single coil and humbuckers.

NEW Internal switch to choose between”Enhanced Bypass TM & True-Bypass, and with no popping sound in either mode. No other company offers EB because I invented it.

If you've ever owned a GREAT amp, like a Marshall 18 watt, a VOX AC15, a Marshall JTM45 and if you have a place where you can crank them up loud, then you know what I'm talking about...

Smack a power chord and you (not only) hear the fundamental notes...but you get (count 'em) 4, 5, even 6 additional overtones ringing into a feedback... notes that you can whistle if your ear is good enough! Think; Zep's "Ocean," "Custard Pie," Classic tones including James Gang, the Beatles, AC/DC, FREE., etc.
Back off the guitar's volume and there are a dozen great other sounds at your fingertips... Clean, spanky sounds, with all the highs and lows still intact. And a Tele still sounds like a Tele, a Les Paul like a Les Paul.

PEDALS (until now) just can't hold a candle to what a good amp can do if you are really picky. You not only lose all the touch sensitivity, but forget about those complex Harmonics. (For me) It's always been somewhat of a compromise using Overdrive pedals... until now. Ladies and Gentleman, I am proud to introduce the Fulltone OCD. I made this pedal for me, but I think you might like it too.

The Fulltone OCD (Obsessive Compulsive Drive) overdrive pedal is the perfect mate for a great tube amp. If you're lucky enough to own a Vox AC15 or a Marshall JTM45 and have a place where you can turn it up all the way, then you have an idea of what the Fulltone OCD is capable of.

Plug in the OCD pedal, lay into a bar chord, and you will hear multiple layers of rich harmonic overtones in addition to the fundamental tone. This is not a subtle effect, these are beautiful ringing feedback tones that can be easily discerned and even sung if you have good ears! The Full Tone OCD produces classic tones you've heard on records by Led Zeppelin, The Beatles, Hendrix, AC/DC and others.

Roll back your guitar's volume knob and you'll have access to a whole myriad of gorgeous tones, including shimmering, spanking, full range clean sounds. The OCD pedal allows your guitar's natural tones to bloom, so your Strat will still sound like a Strat, and your vintage Les Paul will still sound like a vintage Les Paul.

Overdrive and distortion pedals have always been something of a compromise in comparison to a great guitar amp cranked to the "sweet spot". Feel, tone, and harmonics often fall by the wayside when an overdrive pedal is plugged into the front end of a great amp, until now. Check out a Fulltone OCD and see what a great overdrive pedal can be!

* Overdrive/Distortion Pedal
* Natural Tube Amp-Like Distortion
* True Bypass

International customers: In accordance with our authorized dealer agreement with Fulltone Musical Products, Inc. we are not able to ship Fulltone products to customers using an address, billing or shipping, in any country outside of the United States that also has Fulltone distribution in place. Chicago Music Exchange reserves the right to cancel any incoming orders that violate this policy.

 

Chicago Music Exchange

Chicago Music Exchange

Call
Fulltone
Excellent
18 Years
Chicago Music Exchange
Chicago Music Exchange
773-525-7773
Chicago, IL
11:33 AM
Monday-Saturday 11 A.M. to 7 P.M. Sunday 11 A.M to 5 P.M.

Payment Terms - Orders Internet orders may be paid for using the following methods: VISA, MasterCard, American Express, Discover, and PayPal. For phone or mail orders you may pay money orders and cashier's checks by mail. Just call us at 773-525-7773 to place your order. All non-credit-card orders are subject to a 10-business-day hold. We do not accept international credit card or PayPal payments from international accounts. For international security reasons, please call the store to arrange a Bank Wire: +01-773-525-7773.

Shipping Charges - Taxes and Title Separate charges for shipping and handling will be shown on your order form. As a security precaution, initial orders and orders shipping to alternate addresses may be held for extended verification. We reserve the right to make partial shipments, which will not relieve you of your obligation to pay for the remaining deliveries. All items purchased from Chicago Music Exchange are made pursuant to a shipment contract. This means that the risk of loss and title for such items passes to you upon our delivery to the carrier. The published rates are for US domestic shipping only. Contact us directly if you wish to place an international order. For more information on our shipping policies, including rates, delivery times, and delays, please visit our website at chicagomusicexchange or call us at: 773-525-7773. If applicable, a separate charge for taxes will be shown on the invoice. We are required to collect sales tax on all orders shipped to Illinois.

3-Day / 15-day Return Policy If you are not completely satisfied with any product, return it for a full refund of the product purchase price, full credit, or exchange of your choice. We give you 3 days from the shipping date on Vintage instruments, and 15 days on New instruments. Credit card returns are issued a credit for purchase price. Refunds are made for product value only, excluding shipping and handling charges. New, Unopened items: You may return most NEW, untouched, unopened items within 15 days of delivery for a full refund. if the return is a result of our error (you received an incorrect or defective item, etc.) we'll also pay the return shipping costs. AmEx credit cards: Note that if your order was paid using an AmEx card we may pass on a 3.5% fee of the purchase price to process your refund. Vintage, Used items: We have to evaluate vintage and used guitars, amps, and other items on a case by case basis. We spend a lot of time with you and the item before your purchase to try to avoid any surprises after your purchase. AmEx credit cards: Note that if your order was paid using an AmEx card we may pass on a 3.5% fee of the purchase price to process your refund. You should expect to receive your refund within four weeks of giving your package to the return shipper, however, we strive to issue your refund sooner. This time period includes the transit time for us to receive your return from the shipper (5 to 10 business days), the time it takes us to process your return once we receive it (3 to 5 business days), and the time it takes your bank to process our refund request (5 to 10 business days). Send your return to: Chicago Music Exchange 3316 N Lincoln Ave Chicago, IL 60657 The following items are returnable only if defective OR unopened or unused: strings, harmonicas, microphones, cleaners, polishes, and polishing cloths. Software/soundware, cassettes, CDs, DVDs, and videos may be returned for credit only if they are in their original, sealed packaging. If defective, these items will only be exchanged for the same product. For complete details on our guarantees, shipping, and return policies, please contact our Customer Service Department at 773-525-7773; fax us at 773-525-2775; visit our website at www.chicagomusicexchange.com, or write us at Chicago Music Exchange, 3316 N. Lincoln Ave, Chicago, IL 60657.