Lee Oskar 1910 Major Diatonic Harmonica (Various Keys) - Key of B
Well-suited for blues, rock, country, folk, and jazz. They're more airtight, easier to bend, and better sounding than many harps. Modular design.
Built in Japan to his exacting standards and incorporating new techniques and materials, it was in 1983 that Lee Oskar introduced his new harmonica. The radically different harp design grew out of Lee's frustration with the lack of quality and consistency in the mouth harps of the day. The design also benefited from Oskar's insights as a seasoned recording and touring pro.
The Dane's Design
Central to Oskar's design is a smooth plastic comb that doesn't swell like traditional wood combs. Aside from being easier to keep clean, the plastic comb is impervious to the swelling of conventional harmonica wood combs that can tear up the player's lips. By making affordable replacement reed plates available, Oskar's harps can be easily refurbished. You no longer need to toss out a harmonica because a reed or two has gone south. Replacement reed plates are available for every model in the Lee Oskar harmonica lineup and installation is easy since they mount to the comb with just three self-tapping screws. The reed plates have wide chambers and narrow dividers for faster, easier playing. A precision-molded, recessed bed holds the reed plate securely to prevent air leakage and project a bigger sound. The corrosion-proof, stainless steel cover plates are also engineered for excellent projection and tone. (Replacement cover plates are also available.) Lee Oskar harmonicas are tuned to 441-plus hertz for a brighter sound. With equal tuning by octaves, Lee Oskar harps have excellent intonation for blowing highly articulate, single-note leads.
More Keys and Modes
Lee's innovation didn't stop with a better-designed harp. Recognizing the need for harmonicas tuned in other than the major and natural minor diatonic scales, he introduced the Melody Maker and Harmonic Minor series that make it easier to play melodies difficult if not impossible to play with a standard diatonic harmonica. Another indication of Oskar's hard-won knowledge as a touring pro: Each harp is clearly marked in bright white on both ends with its first- and second-position (straight and cross-harp) keys. Each harmonica box is color-coded according to its series and also displays its key prominently. If you've ever struggled to find the right harp on a darkened stage, you will appreciate this simple yet essential touch.
About Lee Oskar
Even if you don't recognize Lee Oskar by name, if you've listened to pop radio much, you've probably heard his highly personal mouth harp style on War hits like "The Cisco Kid," "Low Rider," and "Why Can't We Be Friends." Oskar's staccato phrasing and uncanny tone—put to great use blowing horn-like unison riffs with saxman Charles Miller—gave War's funky stew of Latino, Caribbean, African, jazz, rock, and R&B elements a distinctive lead voice. This was especially true after the departure of vocalist Eric Burdon. The former Animals singer had been a focal point for War on early hits like "Spill The Wine." The band's eclectic and fluent mix of genres proved a rich fount leading to a string of '70s and '80s hits, usually with Oskar's distinctive harp riffs providing the signature sound.
- Airtight
- Easier second-position bending
- All key components are replaceable
- Durable and longer-lasting than other harps
Chicago Music Exchange
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3-Day / 15-day Return Policy If you are not completely satisfied with any product, return it for a full refund of the product purchase price, full credit, or exchange of your choice. We give you 3 days from the shipping date on Vintage instruments, and 15 days on New instruments. Credit card returns are issued a credit for purchase price. Refunds are made for product value only, excluding shipping and handling charges. New, Unopened items: You may return most NEW, untouched, unopened items within 15 days of delivery for a full refund. if the return is a result of our error (you received an incorrect or defective item, etc.) we'll also pay the return shipping costs. AmEx credit cards: Note that if your order was paid using an AmEx card we may pass on a 3.5% fee of the purchase price to process your refund. Vintage, Used items: We have to evaluate vintage and used guitars, amps, and other items on a case by case basis. We spend a lot of time with you and the item before your purchase to try to avoid any surprises after your purchase. AmEx credit cards: Note that if your order was paid using an AmEx card we may pass on a 3.5% fee of the purchase price to process your refund. You should expect to receive your refund within four weeks of giving your package to the return shipper, however, we strive to issue your refund sooner. This time period includes the transit time for us to receive your return from the shipper (5 to 10 business days), the time it takes us to process your return once we receive it (3 to 5 business days), and the time it takes your bank to process our refund request (5 to 10 business days). Send your return to: Chicago Music Exchange 3316 N Lincoln Ave Chicago, IL 60657 The following items are returnable only if defective OR unopened or unused: strings, harmonicas, microphones, cleaners, polishes, and polishing cloths. Software/soundware, cassettes, CDs, DVDs, and videos may be returned for credit only if they are in their original, sealed packaging. If defective, these items will only be exchanged for the same product. For complete details on our guarantees, shipping, and return policies, please contact our Customer Service Department at 773-525-7773; fax us at 773-525-2775; visit our website at www.chicagomusicexchange.com, or write us at Chicago Music Exchange, 3316 N. Lincoln Ave, Chicago, IL 60657.