Description

The Silktone Fuzz has been updated with some cool new features starting with a couple of tone controls to subtly shape the sound of the fuzz. The tone controls are a product of the cleanup circuit so they shape the tone before heading into the fuzz. The bass shape goes from a tight and forward sound when turned down to full and round when turned up. The treble shape subtly rolls off the high end for a softer fuzz tone. The shaping is much more apparent at cleaner settings too.

The next (and most fun) addition is the second footswitch which engages RAW mode bypassing the tone controls and the cleanup knob to bring you back to full raw fuzz. This makes it a sort of dual fuzz to get a huge variety of sounds.

The taper of the “Cleanup” control is much smoother compared to the old version and the “Fuzz” control is much more usable now too allowing you to set post gain and shape the sound a bit or to set max fuzz level when cleanup is bypassed in raw mode. The Fuzz+ also has way higher output volume than the original fuzz so it can be used to hit your amp harder whether in full fuzz or when cleaned up as a colorful germanium boost.

The power supply has been updated so the Fuzz+ can accept any 9V power source (center negative) and can be daisy chained with other pedals. An isolated power supply is no longer required.

The Fuzz+ still has a pickup simulator so it can be placed anywhere in the chain without worrying about buffers

The bias control also works a lot better than before at the extreme ranges allowing you to fine tune the bias voltage of the germanium transistors regardless of temperature shifts that normally plague this style of circuit.

At the heart of the Silktone Fuzz+ are two germanium transistors in the classic fuzz face topology, tweaked to get a huge array of tones and fix all the annoyances you get with a typical germanium fuzz. We wanted to nail the awesome tones everybody knows and loves when these transistors are biased to their sweet spot... and also when they’re not. With our bias control you can easily hit them all.

What’s up with that “CLEANUP” knob?
It cleans up the fuzz the higher you push the knob - it works in turn with the pickup sim by mimicking your guitar volume knob to get the cleaner sparkly boost/light overdrive tones a good germanium fuzz face is known for when you roll your guitar volume knob back a bit.

Why does it have a “pickup simulator”?
A lot of fuzzes have really low input impedance so when you put a high impedance guitar in front of them it creates this really nice high-mid hump and roll-off keeping things relatively tame and musical. If you place a buffer or any other pedal with a low output impedance before a typical low impedance fuzz you get this really nasty squealing oscillation and lose all musicality and nuance - if you've ever tried placing a buffered tube screamer or wah before a fuzz you'll know this well. The silktone fuzz fixes this with an onboard pickup simulator so you can place the pedal anywhere in the chain and it behaves as if a guitar is plugged straight into it.

What is “BIAS”?
Bias is the operating voltage of the transistors, determining how they distort and clip the audio signal. There are a couple common ways most builders approach adjustable bias in a fuzz face circuit, one way is to make both transistors adjustable - things can get messy really easily this way because the transistors interact with each other and that first transistor is really sensitive to changes - it becomes hard to nail down consistently good tones, especially with temperature sensitive germanium... The other way (I've seen done most) is making only the second transistor adjustable - there's less tonal range this way but it behaves better unless, again, it's germanium and gets thrown off by temperature - then there's no correction in place for the first transistor so it can get all out of whack.

We do it a little different than either of these methods, the cool thing about the fuzz face circuit is that the two transistors are directly coupled so if you change the values around one it affects the other automatically, we use this to our advantage and carefully bias things internally to make both transistors land where they need to be and enable the external bias control to have a huge range of easily accessed tones that all sound great for what they are and can be recalled any time (or temperature) without trouble.

BIAS points

  • Gated:  1.10 volts (works exceptionally better in raw mode)
  • Sweet:  4.50 volts
  • Fat:  6.50 volts
  • Sticky:  7.50 volts

Why an LED bias meter?
With germanium fuzz being so temperature sensitive even bias knob adjustments on other pedals become completely pointless with big temperature swings - leaving you to set by ear every time which isn't always easy. If all you have is a traditional bias knob with no read-out and you have it set to 10 o’ clock or so in a 70 degree room and it sounds great - and then go play outdoors in 90 degree weather or go down to the basement and it’s 50 degrees - your 10 o’ clock position from before will sound completely different, probably causing a gating effect or something and you'll have to find the new spot you like every time. The active bias monitor on the silktone fuzz takes out any guess work, you just remember the number you like for whatever tone you're after and if the temperature shifts too much the meter will reflect that so you can quickly and easily dial it right back where you like it and forget about it. You don't have to shift it all the time or anything - just with big temperature swings... plus it doubles as an on/off indicator and looks really cool.

Chicago Music Exchange

Chicago Music Exchange

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Silktone
Brand New
Teal
18 Years
$269
Chicago Music Exchange
Chicago Music Exchange
773-525-7773
Chicago, IL
8:50 AM
Monday-Saturday 11 A.M. to 7 P.M. Sunday 11 A.M to 5 P.M.

Payment Terms - Orders Internet orders may be paid for using the following methods: VISA, MasterCard, American Express, Discover, and PayPal. For phone or mail orders you may pay money orders and cashier's checks by mail. Just call us at 773-525-7773 to place your order. All non-credit-card orders are subject to a 10-business-day hold. We do not accept international credit card or PayPal payments from international accounts. For international security reasons, please call the store to arrange a Bank Wire: +01-773-525-7773.

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3-Day / 15-day Return Policy If you are not completely satisfied with any product, return it for a full refund of the product purchase price, full credit, or exchange of your choice. We give you 3 days from the shipping date on Vintage instruments, and 15 days on New instruments. Credit card returns are issued a credit for purchase price. Refunds are made for product value only, excluding shipping and handling charges. New, Unopened items: You may return most NEW, untouched, unopened items within 15 days of delivery for a full refund. if the return is a result of our error (you received an incorrect or defective item, etc.) we'll also pay the return shipping costs. AmEx credit cards: Note that if your order was paid using an AmEx card we may pass on a 3.5% fee of the purchase price to process your refund. Vintage, Used items: We have to evaluate vintage and used guitars, amps, and other items on a case by case basis. We spend a lot of time with you and the item before your purchase to try to avoid any surprises after your purchase. AmEx credit cards: Note that if your order was paid using an AmEx card we may pass on a 3.5% fee of the purchase price to process your refund. You should expect to receive your refund within four weeks of giving your package to the return shipper, however, we strive to issue your refund sooner. This time period includes the transit time for us to receive your return from the shipper (5 to 10 business days), the time it takes us to process your return once we receive it (3 to 5 business days), and the time it takes your bank to process our refund request (5 to 10 business days). Send your return to: Chicago Music Exchange 3316 N Lincoln Ave Chicago, IL 60657 The following items are returnable only if defective OR unopened or unused: strings, harmonicas, microphones, cleaners, polishes, and polishing cloths. Software/soundware, cassettes, CDs, DVDs, and videos may be returned for credit only if they are in their original, sealed packaging. If defective, these items will only be exchanged for the same product. For complete details on our guarantees, shipping, and return policies, please contact our Customer Service Department at 773-525-7773; fax us at 773-525-2775; visit our website at www.chicagomusicexchange.com, or write us at Chicago Music Exchange, 3316 N. Lincoln Ave, Chicago, IL 60657.