Tone King Ironman II 100W Attenuator
The Tone King Ironman II is a 100w precision compensated reactive power attenuator with a sophisticated design that allows you to reduce the volume level at the speaker(s) while allowing the amplifier to operate at full output power. The Ironman II preserves every ounce of the tone and feel of your amplifier, for natural power-tube overdrive and distortion. The 18 distinct attenuation settings let you choose the amount of output power that is being sent to the speakers, while the rest of the amplifier's power dissipates within the Ironman II.
What makes the Ironman II work unlike any other attenuator is the tuned reactive load and the transformer coupled power division circuitry.
Ideally, the load seen by an amplifier should have the appropriate complex impedance curve so that it responds as it does to a real speaker load. A real speaker load varies greatly with frequency. For example, the impedance of a typical "8 ohm" speaker may rise to 60 ohms or more at its resonant frequency (usually around 60-80Hz), and then rise again to many tens of ohms at high frequencies. An amplifier responds a lot differently when driving a complex load like this, compared to a simple resistive load (as is used in most attenuators). Tone King developed the Ironman's reactive load circuit by matching the results of impedance curve measurements, ran on an actual speaker and then tweaked the resulting design through an empirical method in order to create a load circuit that is most effective at preserving the tone and feel of your amplifier.
The second part of the equation is the circuitry that divides the power from your amplifier between the speaker and the load. In other attenuators, this is often done with a resistor ladder. There are two problems with this approach - first, the resistor ladder itself can become a part of the load, which means that the amplifier sees a simple resistive load. Second, in dividing the power this way, a voltage divider is effectively formed between the dividing network and the speaker. Since the speaker has a complex impedance that varies with frequency, the result is that the frequency response at the speaker is altered, usually dulling the top end and muddying the sound. To address this, the Iron Man II uses 100% transformer coupling via a set of custom audio transformers, so that the connection between the amplifier-to-load and between the amplifier-to-speaker is purely transformer coupled at every step of the attenuation dial. This is an expensive and elaborate design (each step of the dial requires its own tap on one of the custom transformers), but is significantly more effective at preserving the tone and feel of your amplifier than other methods.
DI OUTPUT
In this new generation of the Iron Man II an analog speaker cabinet simulation for DI purposes (balanced XLR) is included. Comparing this analog circuit to some of the most intricate computer-based IRs, Tone King achieved a great sounding output you can send to front of house or use in the studio. Included are switches for level (line and microphone inputs), and an option to select between speaker center or edge micing and ground-lift.
Solo Mode
The Ironman II provides a unique Solo mode which can be engaged using the included foot switch. The Solo function selects between the Solo and Lo/Hi range setting of the attenuator allowing you to toggle between with 2 different volume levels. This is useful for giving the guitar that extra volume kick needed for a guitar solo that cuts through the mix or two rhythm level settings.
Impedance Matching
One unique feature of the Ironman II is its two Impedance controls - one for the amplifier input, and one for the speaker output. These dual impedance controls allow you to match your speaker to your amplifier, even if the speaker impedance differs from the amplifiers' output impedance.
Use as a Dummy Load
The Ironman II may be used as a dummy load, to provide a proper load for your amplifier, with no speakers attached. This is typically done in recording, where the Ironman II's Line-Out will be used to drive a mixing board, or when an amplifier is being "slaved" to a larger amp (with the Line-Out signal driving another amplifier).
Presence Switch
The Presence switch provides subtle control of brightness and compression. It allows you to tailor the response to match your acoustic environment, and to correct for an overly bright amplifier. Three settings are provided: 0db (brightest setting), -3db, and -6db (darkest setting).
ATTENUATE / BYPASS SWITCH
The “Bypass” mode, which is in fact not called ‘bypass’ is the far right setting of the attenuation knob (0dB) in the Solo mode. In Attenuate mode, the attenuator is active, and in Bypass mode, the attenuator is disabled. In Bypass mode, the speaker outputs are connected directly to the amplifier input, and the attenuator circuitry is completely disconnected from the signal path.
LINE OUT
The Ironman's Line-Out jack provides a line-level signal that can be used to drive another amplifier, mixing board, computer sound input or any other line level input.
Front Panel:
- SOLO: 0dB, -4dB, -8dB, -12dB, -22dB and-32dB
- HI: -3dB, -7dB, -11dB, -15dB, -25dB, -35dB
- LO: -6dB, -10dB, -14dB, -18dB, -28dB, -38dB
- Presence: 0dB, -3dB or -6dB
- Switches: Hi/Lo Switch and Solo
Rear Panel:
- Amplifier Impedance Switch: 4, 8 or 16 ohms
- Speaker Impedance Switch: 4, 8 or 16 ohms
- XLR DI Output with switches for: GND, AXIS and LEVEL
- 1/4" Line Out
- Foot Switch jack - foot switch is included
- 12V DC Jack - use the included power supply
Weight: 15 lbs.
Dimension: 10.25" (deep)x 9.5" (wide) x 3.75" (high)
Chicago Music Exchange
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3-Day / 15-day Return Policy If you are not completely satisfied with any product, return it for a full refund of the product purchase price, full credit, or exchange of your choice. We give you 3 days from the shipping date on Vintage instruments, and 15 days on New instruments. Credit card returns are issued a credit for purchase price. Refunds are made for product value only, excluding shipping and handling charges. New, Unopened items: You may return most NEW, untouched, unopened items within 15 days of delivery for a full refund. if the return is a result of our error (you received an incorrect or defective item, etc.) we'll also pay the return shipping costs. AmEx credit cards: Note that if your order was paid using an AmEx card we may pass on a 3.5% fee of the purchase price to process your refund. Vintage, Used items: We have to evaluate vintage and used guitars, amps, and other items on a case by case basis. We spend a lot of time with you and the item before your purchase to try to avoid any surprises after your purchase. AmEx credit cards: Note that if your order was paid using an AmEx card we may pass on a 3.5% fee of the purchase price to process your refund. You should expect to receive your refund within four weeks of giving your package to the return shipper, however, we strive to issue your refund sooner. This time period includes the transit time for us to receive your return from the shipper (5 to 10 business days), the time it takes us to process your return once we receive it (3 to 5 business days), and the time it takes your bank to process our refund request (5 to 10 business days). Send your return to: Chicago Music Exchange 3316 N Lincoln Ave Chicago, IL 60657 The following items are returnable only if defective OR unopened or unused: strings, harmonicas, microphones, cleaners, polishes, and polishing cloths. Software/soundware, cassettes, CDs, DVDs, and videos may be returned for credit only if they are in their original, sealed packaging. If defective, these items will only be exchanged for the same product. For complete details on our guarantees, shipping, and return policies, please contact our Customer Service Department at 773-525-7773; fax us at 773-525-2775; visit our website at www.chicagomusicexchange.com, or write us at Chicago Music Exchange, 3316 N. Lincoln Ave, Chicago, IL 60657.